“Are you two together?” the waiter asked, determined to screen Him from Her with his portable transparent plastic wall.
“We’ll see after tonight.” She winked.
Impassive, the waiter inserted the freshly sanitized wall to split the table in two, then joked, “Everybody has the right to date. Still, I’m thinking this plastic wall won’t be the only thing separating the two of you tonight.”
He reacted, but then sat down. She pulled down her mask to get a sip of wine. They had nothing in common, true; except for the unpleasant remarks they left on the portable plastic wall.
In response to: https://carrotranch.com/2020/04/23/april-23-flash-fiction-challenge-2/
You could have gone out and breathed pure(r) air for the first (and probably last) time in your life, yet they told you that the air was contaminated by the virus and locked you up inside your house. You let them. You could have looked at the numbers and think using your own brain, yet they bombarded you with lists and percentages on TV and the internet to blow it all out of proportion. You let them. Once by the sea, I saw a gull flying over the whole stretch of beach available while I had to pay if I wanted to go to certain areas. Free beach, paying beach. The gull wasn’t surveying the land for food – he was laughing at us.
Ministry of Health. Under25 Secretary slips into an office, “People are gargling with bleach.” What? “They’re afraid of the virus.” What? (Jokes have been going round because of the pandemic.) Some laugh, flabbergasted. “We need an official communiqué.” Now they all laugh. No one’s sure what’s going on. Typing, calling, “put me through, I said!” Under112 Secretary Never-take-charge-but-follow-orders takes it seriously, though; at her computer she designs a fake news bulletin warning people about gargling with bleach. It goes viral. The crazy are saved. The price of bleach goes back down. Stocks normalize. The world is a better place.
In response to: https://carrotranch.com/2020/03/27/march-26-flash-fiction-challenge-2/
At the former Royal Castle atop a verdant hill – once Royal Hunting Grounds – once real people are now actors talking through elaborate costumes. Only Pulcinella, the mask, is as unreal as he once was. We linger a bit while, in the big room, King Charles V and his son Philip (not yet King of Spain) look at the scene through the eyes of Titian with what seems little amusement. They must certainly have other concerns with their Empire on which the sun never sets – they look out the big paned windows, at palm trees and magnolias, at the old town down below and the Bay, the mountains, Capri and the Vesuvius (you don’t see it now, you just know it’s there, which is a typically Neapolitan thing you’re told.) In another room a lady-in-waiting of some Crown Princess tells of how good the Kings are (were) and how many good things they do (did) and how much they love (loved) their people. Coy about the romantic escapades of the Queen, excited about the King who likes to mingle with the fishermen at the docks – unwinding, 18th-century style. The court, she says, is assembled in the Royal Palace downtown, facing the docks and the port and the dormant volcano, and looks out its big paned windows shaking its one head at the king’s odd behavior. She likes it, though; she’s one of the people. So kings look out, the court looks out, the city looks out, till the sound of coins tingle in the fancy plumed cap to stipulate a due return for these professional productions of professional actors – even though that does break the illusion and horses’ hoofs in the distance are just tourists being trotted around, not unclogged, smog-free roads and boulevards, on which the sun does set eventually behind acrobatic high-rises on winding paths up and down once lush bountiful hills.
Then some will inevitably tell you that what you’ve seen is not the real city. The real city is its outskirts, the rundown, dirty, crime-ridden outskirts – what you’ve seen is the relatively polished, the cleverly cleaned-up version of what this city is or can be, a better phrase, because we don’t want the criminal, we want the charming, (it is so complicated to explain.) In a counter bid to our obsessive encasing of historical ruins, the makeshift basketball court in the shade of the Porta Capuana, youths playing while a bunch of people of many oriental nationalities camped right underneath its bastions, seemed the perfect example of the prejudice of beauty in the face of stones and history – they are revamping the area alright, cleaning the pavement, restoring the old gate (with funds for the peripheries of the European Union) – yet these teenage basketball players, born and bred in the hood, don’t, literally, give a damn; they play there just as they could be playing anywhere else, provided they have a basketball court (The surprise lies in their not playing soccer.) So this is the issue with the broken outskirts, they have nothing, never had nothing, and young folks there have no courts, or fields or pools, nothing, what are they going to do? – you go in and you feel that crime is lurking behind piles of trash – those youths can only go down the wrong road of the bad life, while these kids at the Porta Capuana, right across the street from what was the official Courthouse of the city of Naples for five hundred years, live a life of hardship, you’d imagine, but the easy kind. What does one expect? Crime at every corner? No, but neither does one expect this baroque eccentricity which does exist. No, it doesn’t. People just live normal lives here – that’s all.
Areas around train stations don’t usually get much attention. Yet this one, and its large rectangular square, may be the best ordinary gateway into the city in all its ‘splendor and squalor’ (S&S – Naples’ rhyming code to its much maligned beauty and decay?) You’re not really encouraged to walk right, but the hood oozes life of all colors and creeds – in the throbbing heat of summer, too, when the rest of town only seems discernible through the style of dripping laundry hanging dry out of windows and balconies; neither is there a reason to go left, but the air smells salty like seawater, seeping in from behind a few boulevards, some unpleasant buildings and the docks – you don’t see the sea, you smell it; And, finally, why venture to the other end of the square, despite any beautifying revamp, to a statue of Garibaldi, the hotels, and the pulsating beat of avenues leading to other visceral hubs? The image of veins and arteries, often used but seldom with any meaning, comes to mind, pounding beneath your feet. There’s a church dome some way off up to one of the hills, and a former castle and a former charterhouse; the craggy outline of densely populated humanity, and spots of greenery that were once pastures and vineyards, praised by those who saw the city a few hundred years back, or less, when, you’re constantly reminded, this was a capital, and what a capital! – left now to talking buildings and people that look instead of listening.
The little girls, four to eight years old, form a line backstage, demanding a kiss from Prince Charming. Prince Charming, a gay guy, texts his fellow – “How did I get talked into this? Got to kiss all these girls! I’m an actor, for god’s sake!” Pay is good, though. Before the show, the little girls were restless already, fidgeting in anticipation, no idea Prince Charming is not who he is, no suspension of disbelief. PC hides his phone, flips back his golden locks, and his charming smile opens the door to his dressing room. The little girls fire up.
In response to: https://carrotranch.com/2019/04/18/april-18-flash-fiction-challenge/
A gust of warm wind rushed in with the man from the foyer. The chandeliers rattled; dust whirled down onto the carpeted floors.
“Lily and Becky?” he asked.
“My sister couldn’t…”
“Yes, it’s you and your sister. The gig’s outside the castle. 6am to 8pm.”
In the abandoned megaphone-shaped auditorium, ghosts of opera-goers gazed at their own paint flaking off the walls. Mr. Reynolds excused himself with his best beggars-can’t-be-choosers look; rushed backstage echoing orders. Now a car horn reached Lily’s ears from outside. Becky, of course, double-parked! By the entrée des artistes – the Irony of it.
In response to: https://carrotranch.com/2019/04/11/april-11-flash-fiction-challenge/
In the smoky gray courtyard, the firing squad is lined up, awaiting those to be shot. The former smoke while the latter lit candles in the night on their windowsills. But a section of the confiscated buildings is on fire and firefighters are trying to tame the ever-spreading flames – those who live in the area are out firing questions at officers ill-equipped at this fired-up injustice. The morning sun rises firing the tops of burned-out trees. “Fire! Fire!” a second of hesitation too many, “Fire, fire!” And all, at present, is gone up in tiny little bits of smoke.
In response to: https://carrotranch.com/2019/04/04/april-4-flash-fiction-challenge/
He took a milk carton from a kitchen cabinet, then put it back there even though it was now open – it should have gone into the refrigerator. He took a sip of water. The smell of oranges about to go bad wafted from the fruit bowl on the table (made of wood ever so slightly darker than that of the fruit bowl.) The party at His Eminence swirled in his hangover – its theme: “What You Don’t Talk About Doesn’t Exist” – they called him His Eminence after his ascetic countenance by day, and his “torrent of bizarre gaieties” by night.
In response to: https://carrotranch.com/2019/03/28/march-28-flash-fiction-challenge/