A gust of warm wind rushed in with the man from the foyer. The chandeliers rattled; dust whirled down onto the carpeted floors.
“Lily and Becky?” he asked.
“My sister couldn’t…”
“Yes, it’s you and your sister. The gig’s outside the castle. 6am to 8pm.”
In the abandoned megaphone-shaped auditorium, ghosts of opera-goers gazed at their own paint flaking off the walls. Mr. Reynolds excused himself with his best beggars-can’t-be-choosers look; rushed backstage echoing orders. Now a car horn reached Lily’s ears from outside. Becky, of course, double-parked! By the entrée des artistes – the Irony of it.
In response to: https://carrotranch.com/2019/04/11/april-11-flash-fiction-challenge/
In the smoky gray courtyard, the firing squad is lined up, awaiting those to be shot. The former smoke while the latter lit candles in the night on their windowsills. But a section of the confiscated buildings is on fire and firefighters are trying to tame the ever-spreading flames – those who live in the area are out firing questions at officers ill-equipped at this fired-up injustice. The morning sun rises firing the tops of burned-out trees. “Fire! Fire!” a second of hesitation too many, “Fire, fire!” And all, at present, is gone up in tiny little bits of smoke.
In response to: https://carrotranch.com/2019/04/04/april-4-flash-fiction-challenge/
“It’s in that drawer.” He marched to it confidently. “Found it?” He opened the drawer but found various types of tools, of which, let’s see… pliers, a kind of screwdriver… this looks like a hammer with a double blade at one end, it has to have a name, and, hold on, two more. So one is a chisel, the other is not. They do look similar, though. Small chisel and big chisel? “I didn’t know which size you preferred.” She grabbed the small one. “You do know that’s not really a chisel?” “You mean the big one?” “Yes.” “Yes.”
In response to: https://carrotranch.com/2019/03/14/march-14-flash-fiction-challenge/
On 30th November, 6 years ago at the very least, G. Mur[…]sy flew from Europe to warm Sharm el Sheik, Egypt. So says the faded stub of an airline ticket found in the 2013 reprint of a French book, a classic, written some seventy years ago and set roughly ten years before that. The book has nothing to do with Egypt and would make a few hours’ light reading only of a highly educated passenger, or one suffering from the same existential maladie the book is about, or one whose fear of any possible turbulence only deep philosophical absorption might help to ease. On the plane, G. Mur[…]sy was in class Y, seat 6A – takeoff occurred at 10:55 pm. Lots of people keep their ticket stubs because they forget about them so we can’t suppose G. Mur[…]sy would want this back, or the book either, which a dog ear on page seventy-three signals she might not have liked.
Through the woods, at the end of a track that goes along a stream (mom swears she used to bathe in it as a child with her friends) there’s a mill and the modern-day idea of a quaint cluster of small farmhouses – a B&B proves the point, and so does an old shed, of mossy bricks and rotten beams, untouched by the renovating fury, showing a massive wooden plough, stuck in time and dust and cobwebs. In El Dorado somewhere in the Andes, ploughshares were made of silver, and this gripped the imagination of a farmer who might have heard of the legend. One morning, as he went about his day, he must have stopped and pondered whether it was worthwhile to send at least one of his nine children to check if that was true. (Mom says they would rest under that giant oak after bathing and then run back to the village before sunset, so no one knew where they’d been.)
It’s easy to smile at the Moon, harder at the Sun. The reflected light of the former gently hits all kinds of eyes, stars dotting the dark expanse all around it, or clouds passing through, their real color unknown to our spectrum. The Sun makes it all much harder, your face ends up all scrunched up, eyes squinting, as if something else was there to decipher. Is Love a Sun or a Moon? What do I want Love to be in the end? Galehot brought Lancelot and Guinevere together and he thought he was doing his friend a good turn, but they never should have kissed, and those old novels are mostly incoherent in their development from beginning till end. Then while Streisand defended her right to be a woman in love, it was over timeless songs in a castle in southern France, there to recreate the Middle Ages, without the wild, without the irrational, for dazed travellers. Time never cuts it quite right, does it?, and the longer a kiss is held, the more it seems to us to be of any worth. But if eternity is in the moment, as we’re gratified to quote from Spinoza, then duration shouldn’t matter. It’s a trap we like, apparently.
At the station early in the morning the first train gets in at 5. No one gets off. The train’s left the Central Station an hour before to reach the end of the coastal line so people can get on. Empty to full, passengers will then alight in the main town, or at some other stop, to work in the factories along the coast. The line, a feat of engineering constantly monitored, gives its best at 4:35 and 4:40 and a little before 5 when dawn breaks the night and the red lights of the big power poles cease to flicker in the dark. The train driver is the lone custodian of these very early contrasts – because you need the empty 4am to have the full 5am train. The towns along the coast are not so big. There’s a saying, everybody knows it, when a thing or a person is like “the 4am train,” it means that you take this thing or person for granted.
In response to: https://fivedotoh.com/2018/11/29/fowc-with-fandango-contrast/
It makes sense to hear them so early in the day. The Bible folks and their Jehovah counterpoints will be standing in the spot later – their god can wait till about 10:30. But these young guys out to convert other young guys to the infallibility of a new memory technique to boost their university career by simply learning how to memorize information must be out now. It’s quite a feat already that they can reel off a string of 25 numbers after looking at it for only 5 seconds – but this early in the morning they must be pretty sharp! “No, it’s this new technique! Come to the seminar…” The rest is a quiet chorus, the rush of people on and off transport too; heels rap on the floor – 25, 4 – turnstiles swing into place – 8, 32 – cups and saucers are placed on various counters – 15, 63, 9 – in the crescendo of city life outside.
In response to: https://fivedotoh.com/2018/11/23/fowc-with-fandango-melody/
If this were a hundred years ago some down-and-out folks would be fishing (they say some still do) as it has been described in books, and red Twilight would creep up on them from under the arches of the bridge and Night envelop its massive pillars and the little waves of the current by turning their reddish gold into slowly-moving blue and grey and black at last. But they don’t and the current doesn’t turn. To the point that the river and city life appear estranged. Possibly because their Inbox is jammed by 25,876 unread emails, passers-by only pierce the surface today with accidental looks down from the bridge above it, or at it directly from the banks. Some trees there have stayed from a hundred years ago, they know. Conversations go on on either embankment, but they never reach down into the water, their roots have to.