Three sets of escalators for nine flights from the subway tracks up to the surface. Jules Verne didn’t know you could actually go this deep. They say the tracks are at a level below that of a river – a river no one recalls any longer, it too flowing underneath the city. So cell phones have no reception, and as the flow of passengers gushed out at rush hour slides up in single file – The Train Terminates Here; The Train Terminates H… – the beeps of messages and missed calls come back to life. Some start at the seventh flight up, some at the eighth; so the silence in the bowels of the earth strikes with no awe anymore. And the owners of older models shake their phones convulsively to get them to pick any signal back at all.
I turned the heat off. For two days, in February. The weather’s deceived me, though. It’s gotten cold again. Now it’s one of those days when you’d love to be, or you’re reminded of, a house in the country surrounded by hills, a fire crackling in the big living room, rectangular windows to the outside world, biting cold, but cloudless light-blue, when you feel nature knows best, she wouldn’t be taken in by a few warm sun rays. At this latitude! We may have created the concept, but nature knows what it really means. So the heat goes back on, like winter in reverse, and it would be lovely to be carried around the old pipes in the walls, like warm water from the boiler to these white radiators far from the window, as the low cut of the winter sun reaches them, too. They are dusty!
In response to: https://fivedotoh.com/2019/02/25/fowc-with-fandango-reverse/
It’s easy to smile at the Moon, harder at the Sun. The reflected light of the former gently hits all kinds of eyes, stars dotting the dark expanse all around it, or clouds passing through, their real color unknown to our spectrum. The Sun makes it all much harder, your face ends up all scrunched up, eyes squinting, as if something else was there to decipher. Is Love a Sun or a Moon? What do I want Love to be in the end? Galehot brought Lancelot and Guinevere together and he thought he was doing his friend a good turn, but they never should have kissed, and those old novels are mostly incoherent in their development from beginning till end. Then while Streisand defended her right to be a woman in love, it was over timeless songs in a castle in southern France, there to recreate the Middle Ages, without the wild, without the irrational, for dazed travellers. Time never cuts it quite right, does it?, and the longer a kiss is held, the more it seems to us to be of any worth. But if eternity is in the moment, as we’re gratified to quote from Spinoza, then duration shouldn’t matter. It’s a trap we like, apparently.